While Kodak Portra 400 I feel tries to lighten everyone up in general and warm up their skin tones, Kodak Portra 800 I feel is more color accurate. This scene is pretty accurate, if anything, the skin tone is even a tad darker here due to my exposure. Now here is Kodak Portra 400 again in 645 format. One could blame this on the scan, but I’ve had this specific image printed years ago and the print looked a bit different when it came to the tonality. It’s pretty darned good, but I don’t think that it was perfectly accurate. Here it is in the 645 format with a darker skin tone. We recommend Portra 400 more than almost anything else out there. Pro Tip: the latest emulsions of Kodak Portra were designed to be scanned. The image looks gorgeous and this was shot in the 645 format. Here’s an example with a lighter skin tone. But if you really want to start working with film, start shooting with your camera set to the daylight white balance so that you gain a familiarity with the various types of lighting scenarios and how they’ll affect your scene. Pro Tip: This image was shot with Kodak Portra 400, which isn’t a slide film. In general, I feel like Portra 400 lightens skin tones and warms them up. Now here’s Kodak Portra 400 and how it treats skin tones. Kodak Portra 400: White and Darker Skin Tones For a comparison, below is an image shot digitally at the same white balance. Here is it with lighter skin tones and for the most part it’s pretty accurate. Warm skin tones look good and so that’s what Portra does much more so than PRO 400H. Kodak Portra of all types works to create images that are warmer than usual. Kodak Portra 800: White and Darker Skin Tones Let me show you exactly what I’m talking about in real life usage. There has been science behind this take a look at this video by Vox. What I really like about Kodak Portra 800 is how it treats all sorts of skin tones. Portra has always been a film that is catered to photographers who shoot portraits quite obviously due to the name. That generally means that between this and Kodak Portra 400, you’ll be set to go around for an entire day if you wish. The results are good all across the board, but I feel like the best image quality comes at ISO 800. I’ve pushed it to 1600 and exposed it 1250 and I’ve shot it at ISO 400. In general, negative films need a bit more light but not Kodak Portra 800. With Portra 160, I tend to expose at 125. With Kodak Portra 400 I prefer to expose at ISO 200 and develop for ISO 320. At least that’s when I feel that you’ll get the genuinely best results. By that, I mean that when you go to expose Kodak Portra 800, you’re best off exposing it and shooting it at ISO 800. Kodak Portra 800 is unlike many other negative films. For enhanced color and natural skin tones in the most difficult lighting situations.Portra 800 film, for perfectly stunning results with less-than-perfect light. It is ideal for long lenses, fast action, and low light, enabling you to capture shadow details without flash. Portra 800 Film delivers best-in-class underexposure latitude, with the ability to push to 1600 when you need extra speed. Kodak Professional Portra 800 film delivers all the advantages of a high-speed film along with finer grain, higher sharpness, and more natural skin tones and color reproduction. These specs were taken from Freestyle Photographic Indeed, it has to be one of the best available light films I’ve ever played with. And considering that so many photographers out there love to work with natural light more so than working with a flash, it could be one of the films that stays in your film camera on a consistent basis. With that said, it’s beautiful in 35mm but even more so in 120 with fast lenses. It’s a film primarily designed for portraiture in available lighting. Kodak Portra 800 is a gorgeous film that is obviously still around for great reasons. This is wrong and I only wish back then that I hadn’t let folks like that try to mislead my mind and that I was more experimental. Why? Well, they swore by the fact that everything over ISO 400 is way too grainy. I cut my teeth in the photography world amongst some really old school people–these were folks who probably would have never used Kodak Portra 800. Kodak Portra 800 is a film that truly surprised me.
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